FREE ENTERPRISE

Shatner's Back, And He's Playing Himself


 

May 22
Los Angeles Times Calendar


L.A. Times Calendar Article

Shatner in Cannes
With Free Enterprise

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Go To Free Enterprise Web Site

Opens JUNE 4th in Los Angeles
JUNE 18th Nationwide

 



L.A. Times Calendar Article

June 4, '99 Review


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June 4-10, '99 Review

 


From Daily Variety, June 9th, 1998,
"Dish", by Michael Fleming:

"SHATNER RETURNS: Distributors will get their first peek on Thursday at 'Free Enterprise,' a film...that is reminiscent of 'My Favorite Year," and undoubtedly boasts the oddest moment in William Shatner's singing career since his hallucinogenic '60's rendition 'Lucy in the Sky With Diamonds.'

The film, produced by Mindfire Entertainment, toplines Rafer Weigel ('Jenny') and Eric McCormack as two 'Star Trek'-obsessed screenwriter wannabes who meet Shatner while he's perusing porn in a bookstore. Capt. Kirk agrees to become their mentor, but they find his brain operating at warped speed.

  
FESHAT01.jpg (5098 bytes)
Shatner gives them nothing but wrong advice on subjects like love and the theater: Shatner confides the mission he considers his personal final frontier -- an epic musical on Julius Caesar. 'I know it's a ridiculous idea to do Caesar as a six-hour musical, with me playing all the parts,' says Shatner, 'but I know I can pull it off!"

The film culminates with Shatner belting out the historical rap tune 'No Tears for Caesar.' The pic is directed by...Robert Meyer Burnett from a script he wrote with Mark a. Altman, and Shatner follows John Malkovich -- booked to star in 'Being John Malkovich' -- as a good sport not above poking fun as his serious onscreen image."

 

Bill and Robert at the bar. Robert watching the scenery.

Above: Bill (Shatner) and Robert (Rafer Weigel) check out the scene at The Garden of Eden, one of the clubs where Robert and his friends hang out. Robert has just learned that his fantasy hero has trouble meeting women, so he's trying to help him out.

 

Marlena (Debra Van Valkenberg) Bill (William Shatner).
Above: Marlena, the club owner, played by Debra Van Valkenberg, is aproached by Bill, who has finally -- with Robert's encourgement -- mustered the courage to talk to her. But Bill has had a bit too much to drink. Despite heroic effort, Marlena shoots him down in flames.

 

Robert (Rafer Weigel) and Sean (Patrick Van Horn). Sean (Patrick Van Horn).
Robert and 'Sean', played by Patrick Van Horn, are regulars at the club and spend lots of time chasing women together. But Robert meets someone special and begins to abandon Sean and other male friends.

 

Claire (Audie England) and Robert (Rafer Weigel). Claire & Robert in hot tub.
Above: The woman Robert has fallen for is 'Claire', played by Audie England.

 

Wide shot, Robert and Claire on hillside. Medium two shot, Robert and Claire.
Above and Below: Robert and Claire have much in common, but Claire begins to see how irresponsible Robert really is. Eventually she confronts him and the breakup scene is at sunset, on this hillside, facing the ocean.
Robert (Rafer Weigel). Claire (Audie England).

 

Bill 'pitching' his idea. Bill 'pitching' his idea.
Above: In the meantime, Bill has a great idea. A three-hour, musical version of William Shakespear's 'Julius Caesar', in which he plays all the parts. Here, he 'pitches' the idea in a smoky, dim-lit bar.

 

Claire, Mark and Sean. Mark (Eric McCormack)
Above: Robert's friends 'Mark' (Eric McCormack) and Sean try to convince Claire to come back to Robert, who they fear has become terminally depressed. The 'speech' made by Mark to Claire -- a plea to return to Robert -- is reminescent of a speech made by Captain Kirk in a Star Trek episode. Free Enterprise is full of such 'gems' from throughout the science fiction genre.

Notes on the Photography

Arri BL4a with 1,000 ft. mag & 85mm lens.I photographed "Free Enterprise" on Eastman Kodak's Vision 320T (5277) for tungsten balanced interiors and night exteriors, 250D (5274) for daylight balanced interiors and EXR 50D (5245) for day exteriors.   When we shot pickups and night 2nd unit, I used Vision 500T (5279) to keep the lighting to an absolute minimum.  I'm really in love with the Vision stocks, especially 74 and 77.

The camera package was an Arri BL 4s and a set of 5 Ziess Super Speed primes, consisting of the 18, 25, 35, 50 and 85 mm lenses, plus a 135 mm Ziess, t2.0.  Director Robert Burnett and I like to use primes only, because if forces us to really think through choices about where we're putting the lens, what focal length we're using and how we're moving the camera and/or actors.  Too often, with a zoom lens, we end up zooming when we should be moving the camera or simply adjusting the blocking.

"CHEAP TRICKS"
Article on a Front Projection special effect used in "Free Enterprise

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Last Update: 7/1/98                      Web Author: Chuck Barbee
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